In Coralie Fargeat's new feminist horror movie The Substance, harmful popular appeal criteria are actually the true beasts. They (women objectification, the fingertip of "the outdated," the proliferation of a market built on body system alteration) nourish a beast of a cycle that leads Demi Moore's fading TV individuality https://moltenmanfilm.thebindingwiki.com/7647209/the_substance
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